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Actress Produces New Hit Instructional "How To Strip For My Man" video with Urban Flair "I Want To Strip For My Man, But I Don't Know How" teaches All the Sexy Urban Moves For The Bedroom "I Want to Strip for My Man, but I Don’t Know How" offers exotic dance instruction with an urban flair taught by professional exotic dancers produced to help the everyday woman transform herself into the “sexpot” they have the potential to be. "I Want to Strip for My Man, but I don’t Know How" is an instructional video like none you have ever seen before. Viewers will learn the secret to popular urban moves such as “the booty clap”, “the fold over,” “the crawl,” “the spread eagle,” “the showgirl,” “the hoola hoop” “the bounce,” and many others. [b]The music on the video is produced by Grammy award winning songwriter and producers Rasheem "Kilo" Pugh, Vada Nobles, Chioke, Omar Benders and various producers from Touch of Jazz (Jazzy Jeff’s company, home of Jill Scott).[/b] It features performances by such award winning artist Deandre, and Tanzania. We are all born with erotic sensuality that we are taught to suppress, yet contemporary women from all walks of life are becoming more and more interested in exploring the art of exotic dancing, and bringing the excitement into their own bedrooms. (PRWEB) April 27, 2004--We are all born with erotic sensuality that we are taught to suppress, yet contemporary women from all walks of life are becoming more and more interested in exploring the art of exotic dancing, and bringing the excitement into their own bedrooms. I Want to Strip for My Man, but I Don’t Know How offers exotic dance instruction with an urban flair taught by professional exotic dancers produced to help the everyday woman transform herself into the “sexpot” they have the potential to be. I Want to Strip for My Man, but I don’t Know How is an instructional video like none you have ever seen before. Viewers will learn the secret to popular urban moves such as “the booty clap”, “the fold over,” “the crawl,” “the spread eagle,” “the showgirl,” “the hoola hoop” “the bounce,” and many others. The sexy host, actress, Stacii Jae Johnson (Thin Line Between Love and Hate, How To Be A Player, and soon to be released Universal Studio film, Tara), created, co-executive produced and directed this video which first takes us to the streets of New York City in search of 2 everyday women who are willing to be transformed right before our eyes as they receive a full makeover and one-on-one instruction from each of the talented exotic dancers: Alex “the Seductress,” Sasha “the Flirt,” and Kim “the Rumpshaker. “Women, for years, have been taught to suppress the “sexuality” that lives inside” Stacii Jae says. “I Want to Strip for My Man, but I Don’t Know How” show two everyday women exploring their true sexual potential. In the end, after learning the dances, getting a psychological workout, and increasing body appreciation, the ladies are able to perform for their husbands with fervor and self-assurance; becoming a better woman for themselves while also becoming a better woman for their man. “With the divorce rate as high as it is, we have to actively work on keeping our relationships alive and exciting with our mate. This is just one tool couples can incorporate into their relationship to have fun” Stacii Jae says. Open Up. Have Fun. Relax. Listen. Now let’s strip! The soundtrack is just as HOT as the sexy dance moves showcased on the DVD. Stacii Jae combined her ideas with those of songwriter,Rasheem “Kilo” Pugh (Grammy Award Winner) and together they came up with a hip-hop musical score that is sure to raise the roof. Kilo, found himself believing in the project so much that his company 6 Borough, Inc. then also became an investor for the video as well. Kilo (AKA Pen Pimp) has created hits for entertainers such as Lauryn Hill, Faith Evans, Mr. Vegas, Heather Headley, and many others. The music on the soundtrack features producer Vada Nobles, Choke, Omar Benders and various producers from Touch of Jazz (Jazzy Jeff’s company, home of Jill Scott). It features performances by such award winning artist Deandre, and Tanzania. There is no better place to learn to strip than in the privacy of your own home. Journey into your bodies, strap on the stiletto 6 inch heels, put on something sexy, turn on the DVD/VHS and lets’ have fun and strip! Close the door, men, and take a seat, the REAL show you’ve been waiting to see is about to begin. Signature exotic moves you will learn: The “Booty Clap” Pole 101 The “Fold Over” The “Crawl” The “Spread Eagle” The “Showgirl” Learn the “Hoola Hoop” Learn the “Bounce” While Simultaneously: Empowering Yourself Exploring your physical sexual potential Gaining confidence Getting a physical and psychological workout Increasing your body appreciation (no matter what your size) Finding new ways to have fun with your lover Website: [url="http://www.stripformyman.com"]http://www.stripformyman.com[/url] or [url="http://www.staciijae.com"]http://www.staciijae.com[/url] For interviews with Stacii Jae Johnson or MOre Information Contact: Just Us Girlz and Guyz Productions, LLC Phone: 323-939-3603 email: info@stripformyman.com [url="http://www.prweb.com/releases/2004/4/prweb121474.htm"]http://www.prweb.com/releases/2004/4/prweb121474.htm[/url]

first of all i updated the theme of the gallery...2nd i just realised I have to approve peoples additions..so i just added fan4eva and w3's pictures!! 3rd..i just added 150 pictures of will and jeff performing on the i robot tour.. check em all out [url="http://www.jazzyjefffreshprince.com/gallery/"]http://www.jazzyjefffreshprince.com/gallery/[/url] ps. if any1 wants to add pictures its pretty easy.. pss. also while your there make sure you vote on the pictures and add your comments!

[img]http://www.jazzyjefffreshprince.com/images/forumpost.JPG[/img]

[quote=TooFresh,Aug 9 2004, 08:41 AM]No doubt, men. Jeff will be in it. He's touring with will, so this summer they are promoting the return of jjfp!! JAZZY JEFF & FRESH PRINCE BACK UP IN YA FACE!! :drunk:[/quote] :ditto:

:cya:

yeah we've always known this... will also says his music fans are a lot more different than his movie fans.. cause they know him a lot more personally..

jay-z has a good flow..id definitely prefer him over 50 cent, g-unit, nelly etc.. and hes clearly a better rapper than kanye..but what you say must come into consideration 2 i guess

i dont think they accept demos or are interested in signing any new artists.. they havent been able to release albums from mc lyte, kel spencer, breeze, and tra knox unfortunately

i remember you man! yeah a tour looks like it might happen..will said he'd be back in the uk for the release of switch

great!

when eminem blew up columbia came running to jeff..after theyd already shelved his album..and wanted to release it..and this time jeff said "go to hell!"

also on the album were mountain brothers..masta ace..common.. this guy called domu..pauly yams..

Sharon Stone's a fan of Will Smith's manhood Sharon Stone has confessed she's a fan of Will Smith's large manhood. The stunning actress - who famously flashed her own private parts in 'Basic Instinct' - says she was impressed when she watched Will's nude scenes in his new movie, 'I, Robot'. She said in a radio interview: "He looks very good in the nude. Tell him thank you from me." Last week, it was revealed how Will was forced to strap his manhood to his leg for the steamy shower scene - because it was so big. Producers told the well-endowed star to cover up his private parts because it would draw attention away from the plot. Even Will's original attempt to conceal his member by putting one leg in front of the other reportedly failed - and crew resorted to strapping it down with gaffer tape. A source revealed : "Will is blessed in the boxer short department. Even his leg couldn't cover everything up and he had to be taped down with duct tape." Just recently, Will boasted about the size of his manhood, after a gun was used to cover it in the film's opening scenes. He said: "The gun is just hanging there. It really did have to be a sizeable weapon to cover everything. We're not talking about a pea-shooter." The Hollywood star's spokesman would only say: "It was more about privacy for Will, not the size - it was in some kind of glove or sleeve." [url="http://www.femalefirst.co.uk/celebrity/4992004.htm"]http://www.femalefirst.co.uk/celebrity/4992004.htm[/url]

hey man did u know jjfp just performed in moscow?

[quote=Prince,Aug 9 2004, 05:16 AM]lol Tim, it seems as though people only need to make * ***** to be able to view it.  I wonder if this will be too troublesome for the lurkers...  I've been able to view the Audio forum for months - it's worth it guys.[/quote] ssshhhhhh :ridepony:

u wanna upload your pics to the [url="http://jazzyjefffreshprince.com/gallery"]http://jazzyjefffreshprince.com/gallery[/url] gallery!

thats on 104.. on 96 u got a pic of hammer JL (from the 2 damn hype crew) aka james lassiter.. hes on the very left..better pic of will and jl on 95..jeff and darnell on 92

awesome! u got sum great pics of will and jeff.. also the whole crew was there.. on 106 from left to right... wills bodyguard...wills hairstylist pierce..miguel(head of overbrook music)i think.. and darnell(jazzy jeffs touring/merchandise guy) every1 i hung out with in sydney! :rock: u got sum pretty good pics from that far away :thumb:

welcome back..awesome pics did u take em?

da brakes is our wally..minus the red and white clothing :sonny:

[img]http://www.jazzyjefffreshprince.com/images/crowd12.jpg[/img] [img]http://www.jazzyjefffreshprince.com/images/crowd13.jpg[/img] [img]http://www.jazzyjefffreshprince.com/images/crowd14.jpg[/img] [img]http://www.jazzyjefffreshprince.com/images/crowd15.jpg[/img] [img]http://www.jazzyjefffreshprince.com/images/crowd16.jpg[/img]

dont know what it was..just presumed i guess.. prob the voice was part of it yeah

we prob cant use this beat.. cause its bits of some1 elses beat i pasted 2gether..but ive always wanted to rap over it.. [url="http://www.jazzyjefffreshprince.com/audio/Latyrxbeat.mp3"]ba ba ba beat[/url]

nice! i feel you on being surrounded by punk..when i grew up it was all alternative music :bang:

Where there's a Will, there's a way The star of this summer's must-see blockbuster, `I, Robot,' has Hollywood, and America, at his feet THE OBSERVER , London Monday, Aug 09, 2004,Page 16 No star stradles America's racial divides like Will Smith, whose movies and music are always hits, even when they're not very good. PHOTO: AP Everyone loves Will Smith. Even the cynical show business journalists who (secretly) wish him to fail, to see him somehow trip up, succumb to temptation, develop a drink problem or a drug habit. Anything. Anything but the relentless success and supercharged charisma that has the whole world eating out of his hand. It was on display again last week. Hosting a London press conference before the opening of his latest blockbuster, I, Robot, Smith looked briefly annoyed with the lackluster applause offered by assembled British hacks. "Come on, people," he cried. Soon he had the press pack acting like any other crowd of celebrity-stunned well-wishers, clapping and happily whistling at their hero. You see, everyone does love Will Smith. Smith is uniquely powerful among the current crop of Hollywood stars. He is incredibly bankable. His brand of big budget action films gross hundreds of millions of dollars. Even when they are bad. Smith has become, at the age of just 35, an American institution. In the US the July 4 holiday is now dubbed "Big Willie Weekend" for the annual Smith movie that will have crowds flocking to the multiplex. He is America's favorite film star. Willard Smith DoB: Sept. 25, 1968, in Philadelphia, Pennsylvania Family: Married to Jada Pinkett Smith (three children, one from his previous marriage to Sheree Zampino) Films: I, Robot, Men in Black (one and two), Wild, Wild West, Independence Day, Bad Boys (among others). But Smith is also black. It seems an obvious point, but its importance cannot be underestimated. The lines of ethnicity and skin color are still sharply drawn across America and that is reflected in the mirror of Hollywood. Black actors often get paid less than white counterparts. Their roles are more narrowly defined. They are often black first, actors second. "I grew up in a Baptist household, went to a Catholic school, lived in a predominately Jewish neighborhood and hung with the Muslim kids." Will Smith But for Smith, none of that matters. His success is color-blind and for the privilege he is paid US$20 million a movie. Audiences love him in equal measure, whether they are men or women, black or white. In I, Robot, his love interest is a white actress. Even now pairing a black man and a white woman is rare in Hollywood. But for Smith it hardly rated a mention. Smart, rich, polite and endlessly charming, Smith is the black man that white America wishes its daughter brought home to meet the family. He is the ultimate in cross-over appeal. The one man in America for whom race does not matter. Willard Christopher Smith Jr was born in 1968 in West Philadelphia to a middle-class home in a nice neighborhood. It was a time of race riots in America. It was the year of the Poor People's March on Washington and Martin Luther King was killed. But for anyone looking for a rags to riches story, or a rise from the ghetto, then Smith is going to disappoint. The Smiths were not a rich family. They were comfortable. Willard Smith Sr was a former air force pilot who now had his own refrigerator business. His mother, Caroline, worked for the Philadelphia school board. It was a strict household (his father's stint in the military meant his four children faced a disciplined home regime). It was also a racially mixed neighborhood. As Smith later said: "I grew up in a Baptist household, went to a Catholic school, lived in a predominately Jewish neighborhood and hung with the Muslim kids." Smith went to good local schools (one mostly white and then one all black) and his parents drummed the value of education into him. It almost worked. On graduation Smith earned the offer of a place at the prestigious Massachusetts Institute of Technology. He turned it down to pursue what had by then become a promising music career (his geeky past survives, however, in an abiding love of chess and mathematics). There is no doubt his childhood left a strong legacy. Smith does not swear and is a stickler for grammar and proper pronunciation. Friends call him Captain Correction. He tells the story that if he ever used black slang such as "Where y'all going to be at?" his mother would tell him: "We're going to be behind that preposition." By all accounts, Smith is raising his three children the same way. In 1997, when California moved to teach children a black dialect dubbed "ebonics" he took the trouble to protest by writing to the schools affected. But it was not Smith's parents who turned him to entertainment. That was his grandmother. She was a devout Christian and he played the piano and read from the Bible at her church. It was the look of pride in his grandmother's eyes that drove him to the public stage. He probably would have ended up there anyway. Smith's ability to charm his way out of any given situation had already seen one high school teacher nickname him The Fresh Prince. That became his rap persona when, aged 15, he hooked up with childhood friend Jeffrey Townes. As DJ Jazzy Jeff and The Fresh Prince the pair took the rap world by storm. Smith says rap music is still his first love and he is still releasing music. But it was for acting that America was to truly fall for Smith. First came the television sitcom The Fresh Prince of Bel-Air, that became the most successful black comedy since the Cosby Show. Smith's success on television ensured his first big acting role was not far away. It was perhaps the only serious artistic risk he has ever taken. It was also probably his best role. As a young gay conman in Six Degrees of Separation Smith excelled, showing a broad range of acting skills. His next role was as a wise-cracking cop in Bad Boys. For movie audiences and critics alike, it was as if Smith emerged onto cinema screens fully formed. It was all there. A blockbuster hit. Smith's wisecracks and wit. Explosions and guns. That was 1995. The next nine years were a roll call of summer smashes. From Independence Day (which was the first "Big Willie Weekend" on July 4, 1996) to 2004, hardly a summer has gone by without a huge Smith movie. From Wild Wild West through to I, Robot via Men In Black (one and two), Smith has been dominant. On the way he has cinematically saved the world five times. And each summer Smith transcended his race. After Bad Boys (which was a black buddy movie which white audiences adored), his blockbuster roles were not defined by being black. His part in Men in Black was originally slated for Chris O'Donnell, a white actor. He even turned down the role of Neo in The Matrix, which then went to the very white Keanu Reeves. But things are changing now. Smith is getting older. He is rich beyond most people's dreams and his second marriage, to actress Jada Pinkett Smith, has produced two children and is known in Hollywood only for being blissful. In short, Smith has the chance to extend his range. I, Robot offers a glimpse of that Smithian future. It is no doubt a blockbuster. It fulfills a modern audience's expectations of big bangs for their bucks. But it is also a clever film. It has things to say on morality and the nature of consciousness. "I, Robot is almost like a small art film wrapped up as a big summer movie," Smith has said. But it is a small beginning. It is noticeable that in Smith's many huge films, it is hard to remember any of his characters' names. He is not Agent J, or James West or Detective Del Spooner. He is always just Will Smith and audiences love him for it. Doubtless that means there are more "Big Willie Weekends" ahead. However, Smith probably knows his greatest achievement is still to come. It will be when he is known not for being his likeable self, or for being a black triumph in a white world, but when he is known simply for the part he plays. Smith for Hamlet one day?