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JumpinJack AJ

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  2. Like
    JumpinJack AJ reacted to fan 4ever in DJ Jazzy Jeff, The Fresh Prince and a Grammy boycott that set the tone for three more decades of rap — and culture   
    DJ Jazzy Jeff, The Fresh Prince and a Grammy boycott that set the tone for three more decades of rap — and culture
    https://theundefeated.com/features/dj-jazzy-jeff-the-fresh-prince-and-a-grammy-boycott-that-set-the-tone-for-three-more-decades-of-rap-and-culture/
    -------------
    It's an older article but it's still interesting. I knew about the boycott but it's always great to read more about it. 
  3. Like
    JumpinJack AJ got a reaction from Ale in HBO Max Preps ‘The Fresh Prince Of Bel-Air’ Unscripted Reunion Special   
    Here it is. A picture of FP, Janet, and Daphne together. 
    https://thegrio.com/2020/11/15/fresh-prince-aunt-viv/?fbclid=IwAR3Q-YiOl72YR-Kpq1jeTBLeF9RCHh8EW0ln48QdyyC8Y6sWw4AcUR-Hv0U
  4. Love
    JumpinJack AJ got a reaction from Da Brakes in Pass The Mic   
    Yeah, I love Volume 2. I posted it on my Facebook after I got the heads up for Speech and Eshe about it. I should have tagged you in it. I'm glad you posted the new R&B one here, because I've wanted to watch it, but haven't had the time yet. 
  5. Like
    JumpinJack AJ got a reaction from Lerkot in LL Cool J vs. Will Smith?   
    The whole battle idea is corny to me. If it's not rooted in reality, it just isn't interesting. They are talking about battling as presentation or a setup.  The Fresh Prince and LL Cool J have been my two favorite emcees for about 30 years. I'd rather just hear them do some songs together.  It's long overdue.   Shoot, with their history, I"d just like to hear them talk for an hour about their music and history together. 
  6. Like
    JumpinJack AJ reacted to Lerkot in searching for some stuff...   
    Ok ye I found it now
  7. Like
    JumpinJack AJ reacted to WildWildWillennium in JJFP.COM FORUM REVIVAL   
    I can't believe all the familiar names from way way back in the day are still on here, I miss you guys. It's so cool that this forum is still active.
    What's up AJ! You once shipped a JJFP B-Sides & Rarities mixtape to me after an AIM chat years ago and to this day it's one of my favorite CDs ever haha (it had "From Da South" on it!!)
    And Tim you were the one who introduced me to Hieroglyphics and that essentially took me down the rabbit hole of underground hip hop which changed the way I listened to music.
    Is Da Brakes still here?? I miss our forum text-battle tournaments! LOL
    Hope everyone is well :)
  8. Like
    JumpinJack AJ got a reaction from TheFre$hPrince in DJ Jazzy Jeff & The Fresh Prince - New Kids On The Block   
    Yes, it's from Word 2. The song was done before He's The DJ, I'm The Rapper.  The verse from it made it into the live version of "Brand New Funk." 
    https://www.discogs.com/Various-Word-2/release/1540930
  9. Like
    JumpinJack AJ reacted to DevilsJim89 in JJ+FP - LIVE 8 - DIGITAL DOWNLOAD RELEASED!   
    I was actually there. There was so many people - it was insane! 
  10. Like
    JumpinJack AJ reacted to fan 4ever in JJ+FP - LIVE 8 - DIGITAL DOWNLOAD RELEASED!   
    I remember that performance, love the way he comes to the stage! 
  11. Like
    JumpinJack AJ got a reaction from Ale in 'GETTIN' JIGGY WIT IT' SO SO DEF REMIX w/ JERMAINE DUPRI, CAM'RON, R.O.C., + BIG PUN   
    Most of us know about this elusive remix.  It popped up on a few mixtapes (on actual cassettes) back in 1997/1998. It often had the mixtape host screaming over it. It was never released, not even on a proper promotional CD, cassette, or 12".  However, nearly 10 years ago, it was briefly available on Amazon digitally. I'm not sure about other digital platforms. The remix then disappeared.  Since FP didn't have music coming out, I haven't been looking for it. However, I just noticed that it's back. For those of you who didn't get to buy/download it, and for those that are new to this remix, here it is. https://www.amazon.com/gp/product/B073J35F29/ref=dm_ws_sp_ps_dp
    Interestingly, the So So Def remix that was released on singles overseas was much smoother and featured LaTocha from Xscape on the hook. Here's a version of it that a DJ tweaked.
    The strange thing about the credits for this remix is that is says there's a rap performed by R.O.C. and that Lord Tariq + Peter Gunz provided additional vocals. Perhaps there's another version of it featuring R.O.C. (one of the dopest late 90's/early 00's emcees who never had his label released) and LT+PG on the hook.
  12. Like
    JumpinJack AJ got a reaction from Ale in JJ+FP - LIVE 8 - DIGITAL DOWNLOAD RELEASED!   
    Remember when JJ+FP performed "Gettin' Jiggy Wit It", "Switch" and "Yo Home To Bel-Air/FPOBA theme" at Live 8 in 2005? The event was huge and featured performances from dozens of other artists.  Well, they just recently released the audio.  You can check it out here: https://www.amazon.com/gp/product/B07SG79DTZ/ref=dm_ws_sp_ps_dp
     
  13. Like
    JumpinJack AJ reacted to Ale in What Are You Listening To? XXII   
  14. Like
    JumpinJack AJ reacted to Big Willie in Logic Ft Will Smith - Don’t Be Afraid To Be Different   
    Damn Ted, you’ve been the most actively disappointed in Will not making music, then when he does, because it’s not quite the flavour you want, it’s an issue too   calm down dude, it’s not that serious. 
     
    This track is dope. Logics new age but with an old school twist and not a mumble rapper and Wills flow and content is somehow nostalgically fresh. Can’t hate on this in the slightest. 
  15. Love
    JumpinJack AJ got a reaction from Hero1 in Will Smith to record new music for 'Aladdin'!   
    Yes! This is perfect for the end credits. DJ Khaled is mad annoying, so I'm glad that he definitely took a back seat on this.  The music definitely has a late 90's/early 2000's feel to it.  The way he says "never had a friend like me" feels like he borrowed from 2Pac's "Never Had A Friend Like Me." I get the feeling his going to let Aladdin be a vehicle to finally get his own music out.
  16. Love
    JumpinJack AJ got a reaction from Hero1 in First ever look at Nightmare on my street video!   
    I can't believe this day has come.  Like, I'm speechless.  Honestly.
    I love the video. It's strange, but I feel like a lot of the things I always imagined about it were actually in the video.  Can you imagine how HUGE this would have been in 1988!?
    Nancy, who on earth are you, other than an angel that has played a role in answering our prayers?  This appears to be from a promo tape. I've heard that the video never aired, but I've also hear that it aired once. Based on the beginning of the video, this definitely looks like it was off of a promo VHS tape? Were you with Jive or part of the team that worked on the video?
    Man, I wish there was a master copy that wasn't victim to VCR tracking and deteriorated tape. The lighting in this looks incredible. The reactions and expressions in this video that are blurred are likely comedic gold.
  17. Like
    JumpinJack AJ reacted to 3cookies in Stopping by to say HI & happy b'lated b'day TIMBOAT!   
    Hey everybody. 
    I was thinking abt Timboat whose birthday is the same as my daughter's. (if I remember correctly ) I couldn't find a b'day thread or maybe overlooked it, (sorry if this is a repeat bday wish) Tim's name came up when my son reminded me: his first concert ever, was when I took him to see Will Smith & Jeff in Atlanta. Jeff's assistants hooked us up as JJFP fam! ..... I told my son, I was suppose to go backstage to meet Will & give him a portrait I drew, but I was scared & didn't think my art would be good enough to give Will & He wouldn't like it.  lmbo
    TIMBOAT!!!!!!! Happy belated Born-day little brother! Wishing you greatness, health & happiness forever. huggzI
    Love you guys ALWAYS!!! JJFP's #1 AFRO ANGEL - 3cookies
    ps. so surprised that I remembered my password. haha
    xoxoxoxo
  18. Like
    JumpinJack AJ got a reaction from Ale in Will Smith - Freak Accident lyrics ( new single 2018)   
    When I heard this on his Instagram, I just listened to it looping.
    It's lyrically sharp while being classic Fresh Prince. The beat is dope too. The vocals on the hook are the perfect touch. I feel that the St. Patrick's Day theme kind of distracts from from the song, but it hooked a lot of people  who were trying to see what he was doing in the video. From the lyrics we've heard, it reminds me a lot of the songs on Lost + Found.  Not a single lyric is wasted. Each one adds to the story.
  19. Upvote
    JumpinJack AJ got a reaction from TheFre$hPrince in PHILLY VOICE INTERVIEW - 7/13/2016   
    I don't feel like I've seen this interview posted before, so here it is...
    http://www.phillyvoice.com/interview-hard-touring-hip-hop-pioneer-dj-jazzy-jeff/
    July 13, 2016
    Interview with hard-touring hip-hop pioneer DJ Jazzy Jeff
    By Patrick Rapa
    PhillyVoice Contributor DJ Jazzy Jeff is busier than ever, and he’s probably not surprised that you’re surprised to hear that. The West Philly-born DJ who, along with Will Smith (then the Fresh Prince), won the first-ever hip-hop Grammy in 1989, plays a lot of gigs overseas these days, mostly in Europe and Asia, where DJ culture is better appreciated. You can follow his adventures in his YouTube web series "Vinyl Destination," a video travelogue following him, young Philly MC Dayne Jordan and DJ Ferno as they tour the world rocking clubs and eating airport Big Macs. But choosy hip-hoppers choose Jeff, including The Roots, who snuck him and Smith into June’s Picnic for a surprise performance of “Summertime,” and Dr. Dre, who enlisted him to do all the scratching for “Straight Outta Compton.” Along with Lady Gaga and Lenny Kravitz, DJ Jazzy Jeff will be performing at the “Camden Rising” show at the BB&T Center in Camden during the Democratic National Convention. PhillyVoice is the official media sponsor for that event, so I got to chat with the man earlier this week:
    I’ve been watching your 'Vinyl Destination' videos, and you’re always on the road.
    Yeah, you definitely can’t complain about working. And especially working globally is great.
    Do you feel that international audiences get you?
    They know more than the United States audience. Absolutely. Traveling like that gives you a really good perspective of how things are. And especially realizing that people take the music and people take the culture a lot more serious outside the United States.
    The culture like hip-hop culture?
    Just music in general. Just music. The arts in general. They have a tendency to get it. And it’s funny because you can tell, there are a lot of artists that people over here don’t know what they’re doing or where they’re at, and you bump into them walking on the street in London or Germany somewhere. A lot of times, I think — especially when it comes to art — people go where they’re appreciated.
    Someone asked you recently on Twitter to name the city with the toughest crowd to please and you said, ‘Philly, all day.’ I was wondering why that is?
    This is just something that I’ve noticed from the beginning. It’s almost like you have to do good here. You have to do something. You cannot come to Philadelphia and get away with things. I’ve seen artists get away with a lot of stuff coming from Philly. That has been instilled in me since growing up and doing house parties in Philadelphia. People often talk about how great Philly DJs are and how great Philly artists are and it’s because having to perform in front of a tough crowd gets you sharp. It really gets you sharp. And I think, back in the early days, some of the demands that Philadelphia put on Will [Smith] and I served us very well going to New York. It was kind of like, ‘This isn’t tough.’ Being at the Wynne Ballroom in Philadelphia where everyone just stands and expects you to be great at all times, I think that was something I definitely owe a big portion of my longevity to — getting [my] teeth cut in the Philadelphia area.
    I was wondering about the early days. You won a Grammy in 1989. Did you already know hip-hop wasn’t going anywhere?
    Yes. Well, you know what it was, it didn’t have feet yet. We were very protective. We boycotted the Grammys that we won in ’89 because they chose not to televise it. A big portion of that was, we were unsure about the longevity of hip-hop. It was just starting to pique into the mainstream, it was just starting to get some recognition. To be a part of a genre of music that you could tell that there were other genres of music that kind of turned their nose down to it, like it wasn’t legitimate, or it wasn’t credible, there was a group of us that fought for the credibility of the art form. So when you have early-on DJs like Rick Dees, who was a very popular DJ, basically say 'hip-hop is over' or 'hip-hop is dead,' that was a crushing blow to us. … Fast forward to now, it’s probably one of the biggest-selling art forms out. And there are credibility issues. But definitely back in ’89, it was kind of like, 'Oh my God, I’m hoping this isn’t going to be like one of those fads.'
    It’s funny to think about it, that anyone would be worried about it, just because now it’s so much a part of the culture.
    Yeah. It was definitely shaky ground back then. You weren’t really comfortable and confident telling people you were a hip-hop artist, if that was even the terminology back then. Because this was an art form that you were fairly new to, and a lot of the public was fairly new to it. You just were trying to make sure that people took it seriously.
    Along those lines, you helped make DJ culture what it is. Are you amazed it’s still around all these years later?
    Yeah. I wouldn’t have expected that. I definitely wouldn’t have expected working more now than I ever had in my life. …
    Will came to visit; I have a residency in Dubai, and he came two New Years ago. 'What are you doing for New Year’s?' 'I’m in Dubai.' So he and Jada [Pinkett Smith] flew down. And I was scheduled to play at 12:30 and we were on the balcony looking at the beach where I was playing, and there were 18,000 people. And we were toasting right after New Year’s and we were looking down and you heard the DJ ask everyone, 'Are you ready for Jazzy Jeff?' And 18,000 people roared, and he just shot me a look. It was kind of a look like, 'Wait a minute. All of those people are there for you?' There was a point in time that Will and I didn’t perform in front of 18,000 people, so to just watch… And I knew what that look was, it was of amazement that this is where it’s at now, that you basically are in charge of making thousands of people have a good time through music.
     
       
    So you and Will Smith got back together at The Roots Picnic. What was that like?
    That was great. It was funny because I never really paid attention, but he looked at me and said, 'This is the very first time that we’ve performed "Summertime" in the summer in Philadelphia.' And I was like, 'Wow… Something’s very wrong with that.' Something is very wrong with that. So many times we were scheduled to make surprise appearances and things have come up, and it was really cool to have that moment. He came out on stage basically on his daughter’s show. There was a whole lot of emotion tied to all of that. I remember when Willow [Smith] was born, and Willow was on stage at The Roots Picnic, and we came out and did 'Summertime.' That was a little deep.
    I saw online that there were rumors of a tour. Is that still something you guys are thinking about?
    Yeah, it’s just scheduling now. He really wants to do it and it’s just working out the schedule. I was excited that he made the announcement because that lets me know that he’s very much closer to making this happen. I joke with him all the time and tell him that I’m pretty much out on tour, I’m just waiting for him to meet me.
    That’s what it looks like in those 'Vinyl Destination' videos. It just seems like you’re always on the road in interesting places. You never stopped touring.
    No. And we bumped into each other. … It’s really funny that I was touring Asia in January and my last date was in Malaysia. I landed in the airport and got a text message, and it was like, 'Hey, are you in Malaysia?' And I’m like, 'How random is this?' He was like, 'I just landed. I’m in the lounge.' And it was like, how in the hell did we bump into each other in Malaysia? He was over there doing something and found out that I was going to be there, and we went to dinner and just hung out. It was another one of those moments where he was like, 'We have to do something. This is too much of a sign.'
    That’s really cool. And it’s cool that you guys are friends. You’ve both had lots of success and it hasn’t changed your friendship that much.
    Oh, not at all, not at all. Not even a little bit.
    Let’s talk about Dayne Jordan, the young MC you tour a lot with these days. It seems like he’s in boot camp with the master. How’s he coming along?
    Yep. He’s great. It’s really great to just have someone from Philly who's from a different time and a different generation and brings a different kind of energy. From the first time that we linked up, you could tell that it was something different. It was a really big desire to want more or to see more outside of Philadelphia. Once we got linked more so in the studio, I would let him and [DJ] Ferno basically use the studio to record. I would go to the studio every once in a while and show them some stuff, and we ended up recording something that, when I listened to it, I realized just how good it was. And that was the first spark of me realizing that he had something.
    And then it was a natural progression. We started working on music together and working on more stuff and just putting stuff out. I credit a lot of me staying in tune to Dayne, because he was very adamant. I’m very open to listening to ideas and pay attention to the way the landscape changes. Because it’s very different from 1989 to how it is now. It’s different on how you present the music, it’s different on how you make the music. It’s different because we have direct access to your fan base, that you can kind of keep them informed on what you’re doing. So when the time came, I started taking him to a few shows, and then it was like, 'I’m going to throw him in the deep end.' I took him on the tour and he was incredible. His energy was incredible. He was very eager to learn and he’s a very personable person. After the show, he shakes hands, he talks to people. Before the show, he shakes hands and talks to people. Sometimes I can’t do that because it creates too much of an issue. But him having that level of interaction, people really appreciate it. It’s been great. It’s really been great.
    It’s cool that at a young age, at a young point in his career, he’s getting to see the world.
    And I think that’s important. That changes a lot of perspective. Sometimes we make music just from our surroundings. Some people make music just from the perspective of North Philadelphia. And your music changes when you realize that there’s someone in North Africa digging your music, as well as North Dakota. When you start to go out and you start to see… I watched him change, not only musically, as his scope has become more broad, I watched him change as a human, having friends in Tokyo. Having a friend that every time we land in Tokyo, he meets us and he takes us around. When you have those relationships with people all over the world, you realize just how big and how small the world is.
    So you’re playing a Democratic National Convention show in the Philly area with Lady Gaga and Lenny Kravitz. Do you feel political? Do you ever talk about politics?
    I don’t. Not necessarily openly in public. And then sometimes I’m politically confused, which I’m sure so many people are, especially this year, and just trying to get a handle on it. I don’t ever think when it comes down to politics that there is 100 percent a right answer and 100 percent a wrong answer. You just try to have the best answer when it comes down to the individual.
    Is it fair to say that you’ve been more of a Democrat than a Republican in your life?
    Yeah, I think that’s fair to say. It’s weird. My wife and I have these conversations a lot, just talking about that. I think there’s a bit of a Democrat and a bit of a Republican in a lot of us. Sometimes more than not. I think I’m one of those people. … I don’t like the fact that the political process is deliberately confusing, instead of 'What are the issues? What do we need to change and how can we change it?' Why is it the red side and the blue side? Why can’t it just be one side and figure out what needs to be changed and let’s change it.
    Have you watched any of the recent footage that’s come out of the police brutality and police shootings?
    Oh, absolutely. It’s very hard to get away from. And it’s even harder to understand it, having international friends. This is one of the first times that we look really bad. We look really, really bad to the rest of the world. Like, really bad. I’ve got friends all over the globe. I’ve sat down and had conversations with some of my friends. I’ve had a conversation with my friends in Australia, and I asked questions. 'How do you guys really view Americans?' And for the first 10 minutes, it was a very political dialogue. And then it almost got to the point that they forgot I was there and started really telling the truth. And you just kind of sat there with your mouth open because there wasn’t anything that they were saying that you can deny. It was like, 'Wow, this is exactly how you guys view us. You view us as greedy, that we’re arrogant…' We’re like, aw man, this is not good. Especially in light of what’s going on now, I don’t know if we’ve ever looked worse. I think that it’s time that we stop pointing our finger at everybody else and maybe clean up our side of the street.
    I hadn’t even thought about it from an international perspective.
    Yeah. I was just in Canada over the weekend, and it was really one of those times that you almost felt like there were so many people who wanted to give you a hug. And we all talked about it. Like, 'Are you feeling this very weird energy?' People are shaking their head like, 'Do you guys want to come move up here?' It’s like, wait, we were supposed to be the great nation that everyone is supposed to be inspired to be like and everybody wants to come here. It’s not like that at the moment.
    There’s that image going around from 'The Fresh Prince' from a grim bit of humor about your character Jazz not wanting to put his hands down in front of a police officer. It’s hard to believe that all these years later it’s still relevant.
    It’s sad. I have a lot of friends who are police officers and I firmly know: All police aren’t bad. Not at all. I just think it’s a situation that when you have bad ones and nothing happens to the bad ones — that becomes an issue. You get lumped into this crowd or this group. You know, not all Americans are bad. Not all people in North Korea are bad. Sometimes you get lumped in with the masses. Everybody turns a deaf eye or a deaf ear to a situation; that’s not right.
    Let’s move on to something lighter. I didn’t know that you did all the scratching for 'Straight Outta Compton.' That’s amazing.
    Yes, that was great. I got a text message and I didn’t know who it was. They were like, 'Dr. Dre is trying to get in touch with you,' and I just blew it off thinking that it was a joke. Then I got a text message from Dre’s assistant. 'How’re you doing? I’m such and such, Dr. Dre’s assistant, and he’s trying to get in touch with you.' And I thought it was a more elaborate joke. Then I got a text from an old manager in L.A. He hit me and was like, 'You know Dre’s trying to get in touch with you.' I was like, oh s---, I guess this is real. And 10 minutes later, he called.
    It was cool because we had seen each other a couple of years ago; we bumped into each other in Hong Kong. He was over promoting Beats by Dre, and I was over doing a show. We hung out and he actually came to the show and stayed the whole time.
    And we talked about the Beats deal and I was just like, 'Congratulations,' and we kind of laughed, had a little private moment because this is all predicated on hip-hop. And it goes back to the story that I was talking about in the beginning, how in 1989, we were so busy fighting for legitimacy in the art form that we didn’t know if it was going to be there, and here this guy just became one of the first hip-hop billionaires. But it all goes back to, 'Wow, this is crazy.' Because it was just two turntables and a mixer and records that started all of this.
    But he said he finally officially signed on to the movie and it took him a long time because it was his life story and he wanted everything to be authentic. He was like, 'I need someone who was there to be able to do all the DJ work in the movie.' I was really extremely honored that he picked me. And he was very adamant about that. And it was a lot of fun. We talked on the phone a couple of times and cleared the music, and I was like, 'OK, let me go and do it.' And I was glad that they didn’t make me come out to L.A. and do it. I was able to do it in the studio and send it back and they would send me the clips. I was like, 'OK, this is where this needs to go,' and I’d do it and send it back.
    It was definitely surreal going to the screening of the movie and hearing it. It was such a great movie. And also realizing that you kind of played a part in it. That was really great.
    I’ve enjoyed your annual summer mixes with Mick Boogie. I just put them on and let them play while I work and walk around.
    I have a file that I haven’t been able to find a place that can host it, but I have one file of all of the mixes lined up back to back that I give to my friends. You have a barbecue, it is eight and a half hours of consistent summertime music. And I just haven’t been able to find a place that I can host it. I joke with people, ‘Listen, if you don’t have a DJ for your barbecue, I’ve got you covered.’
  20. Upvote
    JumpinJack AJ got a reaction from Hero1 in Great interview with Jeff   
    I'm familiar with the story of how Will took "Men In Black " to them. It was funny that they then had to work with Columbia to put "Men In Black" and "Just Cruisin'" on JJ+FP's "Greatest Hits" album. Those singles helped bring the package together (along with Yo! Home To Bel-Air, Lovely Daze, and the Megamix). It makes you wonder what Big Willie Style would have looked like on Jive. Jive had only started dabbling in pop music, so they were still primarily a Hip-Hop and R&B label. Would we have gotten "Big Willie Style" or would we have gotten a JJ+FP album?
  21. Upvote
    JumpinJack AJ got a reaction from Hero1 in Great interview with Jeff   
    I love this interview. The cool thing about Jeff's interviews is that there always seems to be at least one thing we've never heard before.  "Live At Union Square" has been talked about before, but it was good to hear him talk about it, rather than read about it. Hearing him talk about DJ's parties at Philly was kind of funny. I never thought about how the music impacts the behavior of the party.
    It's interesting that Jeff is the one who prompted FP to mellow out his delivery on "Summertime," which went on to impact many of his songs since then.  Their exit from Jive is really interesting. It's crazy that they treated JJ+FP so poorly in the end, but didn't make it easy for them to leave. It makes me wonder if Will is so loaded these days that he can simply buy back their catalogue. With Jive being long gone, it truly is only business at this point. 
    Lastly, I love that they made it so that you can download the interview.
  22. Like
    JumpinJack AJ got a reaction from VIsqo in He's the DJ, I'm The Rapper (Extended 2 CD Edition)   
    I recently got it and have been listening to it a lot. The sound is definitely great. Some songs grab my ear more than others, appreciating the remaster. I like that the album was remastered in one of the studios they recorded it in. In terms of the music, I just wish they didn't put the alternate versions of "Girls..."  Yeah, it was remixed and re-recorded the same hear, but there is a Danny D remix (and extended and radio version) of "Parents..." that would have been a better fit.  It would have also been nice if they released an instrumental version of all of the songs. There is a rare 1988 vinyl release of the instrumentals that I have, but the record is slightly warped, so it would be great to have them on CD and remastered since this release is kind of a dream come true.
    All of the pictures from the original release are in the insert, plus pictures of the cover of all single covers. Above the "thank you's" they have individual pictures of the trio that I've never seen before. In addition to the original notes on the CD insert, there is a little write up on the album which is a great, but short read. If you're thinking about getting this, stop thinking and GET IT!
  23. Thanks
    JumpinJack AJ got a reaction from Jazzy Julie in He's the DJ, I'm The Rapper (Extended 2 CD Edition)   
    Yes, the remastered sound is worth the purchase!
  24. Love
    JumpinJack AJ got a reaction from Hero1 in KICKIN' IT WITH CARVIN (OF A TOUCH OF JAZZ)   
    For those that need a brief refresher, let's take it back to the mid-90's. When JJ+FP went on a hiatus after Code Red, Jeff used the money he was making from The Fresh Prince of Bel-Air and his other endeavors to build his existing production company, A Touch of Jazz. Around 1996, Jeff put together an incredible team of producers that took A Touch of Jazz to a new level. They were unknowns, inexperienced in the industry, but learning quickly and shaping the face of modern R&B/Soul. Next thing you know, they are producing for the Hip-Hop and R&B's finest, both for the mainstream and independently. Millions of records sold and collaborating with the likes of Will Smith, Michael Jackson, and Justin Timberlake.
    Carvin Haggins and Ivan Barias are perhaps the most successful and most active group of producers to come out of A Touch of Jazz. They developed Musiq Soulchild, as well as new artist, BriaMarie, as well as producing and writing for Justin Timberlake, Mya, Brian McKnight, Amerie, Joe, Faith Evans, 2Pac, Keisha Cole, Jazmine Sullivan, Jill Scott, Mad Skillz, Dawn Robinson (of En Vogue), Bell Biv DeVoe, and the list goes on. He recently participated in The PLAYlists "Chasing Goosebumps." For those on this board, he was a producer and/or song writer on Will's "It's All Good," "La Fiesta," "Willennium Interlude," and Chocolate Form's "Neutral" off the Wild Wild West soundtrack.
    Anyway, a couple of years ago I was able to meet Carvin at BriaMarie's album release party. We've remained friends on Facebook and Instagram.  One of my best friends is an incredible singer. The closest thing I can compare her to is Joss Stone, though she can handle any Adel, Sara Bareilles, Feist, or Civil Wars song too. When Carvin liked a picture of us, I was like "you should hear my friend sing." I later sent him some videos of her singing, asking if he had advice for her, or if he'd want to meet her. He was like "she has a beautiful voice...I'd love to meet her." The cool thing is, he was responsive and followed-up about it with a genuine interest.
    Fast forward to today, we met him at Forge Recording Studios.  He was super cool and accommodating. We spent two hours talking about my friend, his journeys in the music industry, and other things.  It was truly a great time with lots of laughing.
    The advice he gave my friend was invaluable. She learned in that short period time, what takes many people years to learn. He told here where she needs to register as an artist and how money is made between a vocalist, producer, and song writer. While I've always known the artist makes very little, I was surprised to find that they don't make a sense if they simply sang on the song. ZERO. He did mention how they artist does get paid through Sound Exchange though. He broke down how each song has a watermark, so every time a song is played on the radio or on a TV show, it's captured and the artist is paid. He also talked about the evils of big record labels, who the vocalist truly is a puppet and how most of the money they get ends up having to be paid back to the label since it's essentially loaned to them, then they have to pay the label back, and are set up to be in dept for the rest of their life.
    He then talked about his own label. Most of this I already knew, but he was sharing the info with my friend. He talked about how his company's goal is to make good, timeless music that isn't explicit to the point that it will offend anyone. He talked about how he doesn't require artists to pay for things up front and how he works with each artist to tailor a song to them. He talked about how he will learn about the artists he works with by visiting where they grew up, exploring their social media, having long talks with them, etc. He said how his team at the studio all helps each other, works on each other's projects (if needed) and how they promote each other. He then played the new single by Montina.
    Let me tell you, there is no experience like hearing a brand new single pumping through the speakers that are in the actual studio it was recorded in. She's from Beyone's camp. Montina is currently going through a divorce, so they are releasing an EP about the pain, followed by an EP of the healing. He also played us a song by Ms. Lynx (I may be spelling her name wrong). She's a female emcee and the new single is coming out in a week or two.
    When exchanging email addresses, I gave him props for still using his AOL email address (like yours truly). We started talking about how gmail go hacked a few year ago, and since so many artists email song back and for these days a lot of songs and albums were leaked, put on Napster, and then shelved. He was proud that Musiq Soulchild's didn't leak since he was using AOL.
    When he talked about wanting an artist to be themselves, flaws and all, we began talking about  Whitney Houston, who he knew. He talked about how it was the label's mission to make her the perfect pop princess that lead her to drugs. He shot down the idea that Bobby Brown was Whitney's downfall and that it was ultimately her label and her not being able to be herself all those years.
    I asked him if the established artists have him send beats out, or if they come to his studio, which is in a nice suburb area outside of Philly. I specifically mentioned Kenny Lattimore. He said artists like Kenny create songs there.  When bringing up the topic if faith, he revealed that he's actually a reverend and that BriaMarie is on the worship team at his church. Needless to say, myself and my friend will one day attend a service.
    He also gave us a tour of the studio, going to various studios and booths. Some more intimate and some bigger.  He had frames all over the walls of CD's that had come out of the label. He also had a wall that featured plaques from his work with Will Smith, Music Soulchild, and Jill Scott. Another wall featured artists who had recorded there, such as BriaMarie, Jazmine Sullivan, Ginuwine, members of The Roots, Jon McLaghlin, and many more.
    All in all, it was an incredible day. It ended with Carvin saying he did want to work with my friend and that he'd love to have her around as projects were being recorded, to find out more about her, and eventually start on a song.
     
  25. Like
    JumpinJack AJ got a reaction from FreshPrincess in JAZZY JEFF AND FRESH PRINCE ARE BACK | 2 LIVE SHOWS   
    I love that this post is still buzzing from the performance. I'm SOOOOOOO hoping I get the chance to meet them when the US date(s) comes. I've seen them perform before, but not a full length concert.
    I like that they put that official video for "Get Lit." You can hear the lyrics better since the bass overpowers all of the cellphone videos. A lot of articles were talking like "Get Lit" was a JJ+FP song. In the sense that Jeff scratches on it, that's true, but I'm assuming he didn't produce it. The wording he used when he shared the video seemed like he was trying to clarify that this was ultimately one of Will's songs. I felt like FP wasn't posting about the concerts as much initially, so I like that he started to once they had them. It shows that he was really proud of them.
    I totally love Brakes' shirt too. I like all of their logos. The one they used for the first three albums is nostalgic to me. It's not necessary the most clever, but it reminds me of a my childhood. I like the Homebase font and Code Red logos equally. I feel like I'd want a shirt with the Hombase group font on the chest and the Code Red logo large on the back.
    I'm rambling.  I'm still so happy that my favorite group of all time recently rocked shows after such a long time from doing it.
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