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dparrott

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Posts posted by dparrott

  1. I don't see what isn't mainstream about that. It's got money flashin, the rapper drivin an expensive car, and by the looks of the shoes and the walk of the girl, probably has some rent-a-hoes in it. With the song having an R&B hook, that's a pretty standard song/video for mainstream hip-hop.

    How would him driving a one-of-a-kind car be controversial??? I would expect nothing less from him, it's predictable really. What *would* cause controversy is if he was drivin a bucket. :lol:

  2. Scared of a bunch of water, then get out the rain

    Order a rapper for lunch and spit out the chain

    Then kick a lungee of the tip of his timbo

    And trick a honey dip into a game of of strip limbo

    Odd... He couldn't find no remorse

    A wink is as good as a nod to a blind horse

    Of course his technique was from a divine source

    Never new the price of ice or what swine cost

    One guy tried to bite the heat

    That's when he discovered the other other white meat

    Ohhhh, the one they hate so well

    He sure keeps it pyscho like the old bates motel

    They came to ask him for a least some new tracks

    But only got confronted by the beast with two backs

    Knock... Mouse is a made man

    Villain laid it down like the best laid plan

    KABOOM... DOOM is nervous large

    You could tell by his Blooming room service charge

    Dark and tall to boot

    The only thing was wrong was he was bald as a coot

    Used to rent a van from Peter Pan to red and tan

    And keep the human foot for his dead man's hand

    This was when the mask was brand spanking new

    Before it got rusted from drinking all the brew

    [sniff] Stankin' too, pew

    Kept all his earnings in the bank and his shoe

    Spat what he knew, energy for true

    To all fake rappers, twenty-three skidoo

    Excuse you, any room in the class front?

    For a blast of the blunt, shrooming since last month

    Doom a human in the mask I'm on the stunt

    Danger zooming past mad fast on the hunt

    Keep the streets, we got the city needing conquered

    Discreetly with the city till they be completely bonkered

    Dangerdoom - "Sofa King"

  3. Of course not.

    Even when the artist sounds unique, the music/production is not.

    Nas is one of the few exceptions, he usually comes hard with beats and vocals. But from what I have heard, and I could be wrong in some cases, the music of those artists are pretty similar. For example, Dre's beats do not sound like beats KRS-One would use, where as Nas uses a good variety of beats, including old school beats.

    And what you are *not* listening to is how similar those lyrics are. And those are 4 examples of the countless other rappers who write the same kind of lyrics. That just illustrates my point.

  4. Albums/artists are not as good as they were back in the days, straight up. In the 80's, most of the popular rappers were unique: you can easily tell the difference between a Public Enemy song and a De La Soul song, an LL song or a Kool Moe Dee song, etc. Now, with a few exceptions, it's not like that. Even when the artist sounds unique, the music/production is not. The classic rappers are using new producers to keep up with the times. I listen to the hip-hop stations here, I usually can't tell artists apart anymore, and it irritates me to hear different rappers make similar sounding music. There's a reason why rap music in the 80's and 90's is considered "classic": it was *quality*. Most rappers were more talented then, and there was a lot less negativity in the music. It was music that was full of thought and creative and fun.

    As I've gotten older, I keep looking for music that is really unique, like the DangerDoom CD. MF Doom has a unique flow and lyrics, and the music is definitely not something you'd hear on the radio today.

    So it's not just the fact that we are not "listening" to the music, but the music itself is not worth listening to.

  5. This is a new double album/DVD comprised of L.A. area bloods and crips rappin (supposedly, see Afrika Bambatta) in the same style as the 90's "Bloods & Crips" albums. The producers went into the gang neighborhoods and auditioned almost 1000 gang members to get the best on the album, like an "American Idol" for gangsta rap. The experience was positive and peaceful, with gangstas putting aside their differences to rock the mic.

    As far as I'm concerned, it's one of the best "gangsta rap" albums ever, mainly because it is not typical of "gangsta rap" that is out today: there is very little singing/R&B in the songs, there are no "gangsta luv" songs, and there are no slow and boring "smoke a joint" songs. All of the 28 tracks are hard-hitting and not one of them is weak. This makes the songs on the album musically and lyrically repetitive, however, which some people will not like. And the MC's aren't as diverse as on the 90's "B&C" albums, so they sound similar to each other at times. So it's not a standout creatively, but if you like the general west-coast sound, it's a great album.

    http://music.barnesandnoble.com/search/pro...409001019&itm=1

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