JumpinJack AJ
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Posts posted by JumpinJack AJ
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Anything is possible. They put new songs in the live action Beauty & The Beast. They had Lin Manuel Miranda do music for Moana. I must say that it's hard to process exactly what this news means for him as a lyricist, emcee, and producer working under the unbrella of Disney.
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This is an excellent documentary on Craig Mack's career.
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I'm glad to see someone standing up for classic Hip-Hop. Hopefully it does well. Classic Hip-Hop and R&B stations are becoming more common since commercial urban music that occupies former Hip-Hop/R&B stations is mostly garbage.
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That last time Craig hit the mainstream...
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The song that started his mainstream success...
Craig on Sista's (Missy Elliot's first group) on the Dangerous Minds soundtrack
Craig on Veronica's "No One But You"
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Craig on TLC's So So Def Remix of "Kick Your Game"
Craig Mack on Boyz II Men's "Vibin'" remix with Treach, Busta Rhymes, and Method Man
Craig in a live performance with Brownstone on the Street Vibe Remix of their hit "If You Love Me," which features Mimi in her last performance with the group (not even singing the end of the song) and the member that replaced her, Kina
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The singles from 1997's "Operation: Get Down"...
His featuring on BLACKstreet's remix of "Tonight's The Night" with SWV
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Rapper Craig Mack was on the verge of a comeback before death
“Lyrically, he was about to be something,” Erick Sermon told Billboard.
Craig Mack helped launch Sean Combs' Bad Boy Records. Photo Credit: WireImage / Johnny Nunez
By Glenn Gamboa glenn.gamboa@newsday.com @ndmusic March 20, 2018 2:38 PMThe saddest part of the death of Brentwood native Craig Mack earlier this month is that the “Flava in Ya Ear” rapper seemed poised to make a comeback.
Mack, the 47-year-old rapper who helped launch Sean Combs’ Bad Boy Records, had just appeared on “Come Thru,” the first single from Erick Sermon’s forthcoming album “Go.” Ronkonkoma’s Sermon, best known as the “E” from EPMD, says there will be more Mack appearances on the album, which he expects to release in April.
“Lyrically, he was about to be something,” Sermon told Billboard. “I can put him up with the whole hit squad. When you hear the stuff that he did, you’re going to be like, ‘Oh, why didn’t we get to hear that?’ ”
His verse on “Come Thru” backs that up. “My outrageous wild style will prove I’m the greatest,” Mack raps. “Mr. 3000, back in the majors, hit an inside curve ball 9,000 acres.”
On the day Mack died of heart failure, Sermon tweeted, “The mood over here at #DefSquad is upbeat despite the recent passing of our brother Craig . . . We playing his music.” Sermon said Mack’s contributions to “Go” are impressive. “This sounds crazzzzy!” Sermon tweeted. “God bless you Craig!”
https://www.newsday.com/entertainment/music/craig-mack-rapper-1.17543728
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Man, this one has been weighing on me. Craig Mack truly is one of the best to do it. Craig Mack's "Flava In Ya Ear" established Bad Boy. Without that hit, who knows what would have happened. I'm going to anger some people with this next part, but this is how I see it. Craig Mack wasn't even a Bad Boy artist. He came from the EPMD camp and his debut album was almost entirely produced by himself, his right hand man Alvin Toney, and Easy Mo Bee. Other than seeing Puffy's name as an executive producer and his adlibs on the Tumblin' Dice produced "Making Moves with Puff," Puffy did nothing for the project. Craig Mack was straight Hip-Hop and always stayed true to himself. Biggie's lyrics weren't always authentic he mellowed his style out for mainstream success. Mack was the real deal. Next thing you know he's collaborating with Boyz II Men, TLC, BLACKstreet, SWV, Sounds of Blackness, and Missy Elliot's group Sista, after initially being featuring on a Mary J. Blige remix. Puff definitely favored Biggie though. Biggie was likely easier to work with.
Craig Mack was unstoppable for a couple years, but he walked away from it all. He never hated Puffy, but Bad Boy's greed made it an environment that he wanted no part of. Puffy lied about his support of Craig Mack (ever see Craig's reaction in that interview where Puff says they were working on a second album?). He started working with Eric B and was going to be on Deathrow East, but when 2Pac was kill and Deathrow crumbled, he went the indie route.
While not a gritty, his second album was dope, but just didn't enjoy the success it could have since it wasn't on a big label. Coming and going at the outskirts of Bad Boy, he shined on that G-Dep "Special Delivery" remix in 2002, and then peaced out.
For years he dropped promo singles, but nothing came of it, though the third album was to be titled "Who I Be." If you get The Mackworld Sessions, which was just released this past September, it features most of those songs. Craig was said to be tired with the world, which is why he joined that secluded church that some people have called a cult. Erick Sermon said Craig new his days were numbered. That church he belonged to didn't leave the campus. That's why he didn't get medical treatment. It makes me wonder if that project was released just to finally get that (mostly) old music out and to support his family.
I know he was working on a documentary to tell his story. I hope it comes out so his better understood. I also can't wait to hear the work that he recently did with Erick Sermon. The song they did with Method Man and Mr. Cheeks is DOPE!
I've been playing a lot of his stuff lately. Such a loss. Easily one of the most under rated emcees of all time.
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Hearing her speak of him like that, even at that young age, is exactly why he's had he career that he's had.
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KJ-52 F/ DATIN - All I Had
Jonah: Part 2 (2018)
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The album is slated for release March 23rd. It looks like it's more of an EP at only eight songs. I'm really interested to hear the duet with Colbie Caillat.
https://smile.amazon.com/dp/B07B6D8674?ref_=pe_508720_275903430
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He announced it a couple of months ago on social media. I previewed it a couple of weeks ago and it's good, and genuine...not a gimmick. It comes out March 16th.
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THE UNDERACHIEVERS - Gotham Nights
Renaissance (2017)
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Yes, LTI's R&B Remix is the last one in that video. I looked at my CD singles and it was one two non-US versions of the CD single (one in a jewel case and another in a cardboard sleeve, as well as vinyl. I have extended and shorter radio versions on a rare promo. I like the R&B Remix, because even though it's similar to the album version, it's not as polished.
I agree that "Chasing Forever" would have been a good single choice. They put too much space between singles. The album did so well that the could have had another video/single or two.
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I saw one of my favorite singer/songwriters earlier this week. I also got to meet her, which was a pretty big deal for me. I been listening to her new album, At Now, almost non-stop. Here's my favorite song off of the new album from Anna Nalick.
ANNA NALICK - Knots
At Now (2017)
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I was hoping to find the laid back Love To Infinitiy's R&B Remix that was only released as a promo in South America (to my knowledge), but I can't find it on YouTube.
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"Just The Two of Us" is an excellent song. The lyrics personal, heartfelt, and occasionally comical. The video was touching and artsy. The media often portrays black men as poor or absent fathers, and the video featured so many cameos of black fathers. It was brilliant. The remixes of the song were great too. It was the perfect follow-up to a radio-ready song like "Just The Two of Us." I wish he would have followed it up with a better single though. "Miami" is the least interesting song on Big Willie Style, in my opinion. I have the "Just The Two of Us" book that was inspired by the song.
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The new one cracked me up. I'd like the show to stay as it is, but I'd love for them to do staged skits like this once in awhile.
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That meme is hilarious. LOL
I'm not interested in hearing a remake of "Nightmare On My Street," but I'd love to hear a modern day remix by Jazzy, or at least having him oversee. Of course, seeing the music video after all of these years would be epic.
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I saw this article the other day. I'm not really sure what to think about it. If it were well done, I'd be really interested in it. I just can't imagine how they action scenes could compare on a TV budget. I also can't imagine how her character can take center stage. Her character and her occupation could set the base of something good, but they'd have to create an entire world that compliments everything from Bad Boys. I was curious if her and Mike would be together in the third one. If so, Mike would have to be around from time to time, and only Will can play that role. Certainly Marcus would have to be there from time to time. It's all just very interesting, but is the average TV watcher interested in a supporting character from a 2003 movie? Maybe this is being used to stir up the Bad Boys 3 team.
Here's the article that was in the link above, for those that don't feel like clicking the ink:
‘Bad Boys’ Spinoff TV Series Starring Gabrielle Union In the Works
SonyEXCLUSIVE: The Bad Boys hit movie franchise is getting a spinoff TV series centered on the character played in the second film by Gabrielle Union.
No one would comment but I hear the untitled project, which is currently being pitched to TV networks, already has garnered strong interest from multiple places and is expected to land a major commitment. It hails from the Bad Boys movies’ producer Jerry Bruckheimer, Doug Belgrad via his 2.0 Entertainment and Primary Wave Entertainment. Sony Pictures TV Studios, whose movie sibling is behind the feature franchise, is the studio.
The untitled Bad Boys spinoff is being written by The Blacklist writers-producers Brandon Margolis and Brandon Sonnier. Union’s Special Agent Sydney “Syd” Burnett, introduced in the sequel Bad Boys II, is the sister of Detective Lieutenant Marcus Burnett (Martin Lawrence) who was romantically involved with Marcus’ partner, Detective Lieutenant Mike Lowrey (Will Smith). She is an undercover operative with the Drug Enforcement Administration (DEA). You can watch a trailer for Bad Boys II below.
Union just became available as BET announced that her popular series Being Mary Jane will end with next year a two-hour series finale movie.
Sony Pictures
I hear the idea for a Bad Boys offshoot centered around Union’s character came from Primary Wave Entertainment, which manages the actress, in the company’s first broadcast development season since it brought in former NBC Universal TV Entertainment chairman Jeff Gaspin as President. He executive produces the project alongside Union’s manager Jeff Morrone.
Also executive producing the potential series are Belgrad and Jerry Bruckheimer TV’s Bruckheimer, Jonathan Littman and KristieAnne Reed.
Belgrad worked on Bad Boys during his 25-year career as a Sony movie executive. He was the creative executive on the first movie, which established Lawrence and Smith as feature stars. As he segued into producing with the launch of 2.0 Entertainment last fall, one of the Sony features he set out to co-finance was the long-gestating Bad Boys 3. His film slate also includes Sony’s upcoming Peter Rabbit and the Elizabeth Banks-directed Charlie’s Angels reboot.
Because it is based on existing Bruckheimer IP, the project does not fall under Jerry Bruckheimer TV’s overall deal at CBS TV Studios. Via that pact, Bruckheimer TV has set up three drama projects at CBS: Main Justice, a legal drama inspired by former U.S. Attorney General Eric Holder; Unthinkable, an FBI crime drama penned by MacGyver executive producer David Slack; and Whistleblower from NCIS: New Orleans executive producer/co-showrunner Chris Silber.
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I'm pretty much agree with everything Jim said.
I like the song for what it is. I'll play it from time to time. It's just not my preference of what I want to hear from him. The songs we've heard from recent years are good songs. He always brings great energy and the lyrics are fitting for what those songs were, but I'll be waiting for a Hip-Hop song.
There's no reason to expect it to be a hit unless Will fronts the money to make it one. When I was talking to Carvin Haggins, he said how the days of people requesting songs on the radio is long gone. It's basically like paying for a commercial. Labels pay to have the songs played. The more they pay, the more play it gets. For an independent artist to break through, something very unique would have to happen, such as astronomical success on YouTube or social media.
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I forgot all about this!
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This is all waaaaaaaay off topic.
FP dropped a solo single. This is a good thing. I suppose the question is what he's trying to achieve with it. Is he just putting it out into the world and that's it? It he actually trying to get a buzz with it to lead into an album? If so, where is the music video? Where are the TV performances?
The Code Red sequel talk is tired. It's a dope album, but doesn't deserve a sequel...especially as a solo project. Code Red is a fan favorite, but commercially it didn't do that well. People outside of the JJ+FP fan base don't recall that album because it didn't have much commercial success. JJ+FP didn't tour with it and they did very few TV performances with it. "Boom! Shake The Room" got some video play, but "I'm Looking For The One (To Be With Me)" and "I Wanna Rock" got very little support. I used to watch MTV a lot back in the day and never saw the videos to the second and third singles. It wasn't until the JJ+FP Greatest Hits VHS came out in 1998 that I saw the entire videos. I had only seen a clip of "I Wanna Rock" on Beavis & Butthead. lol Dope album, but stop trying to bring it back to life in 2017.
It's good that he dropped the song and shared his energy and the positive message. At the same time, the song isn't doing much for his career, other than letting us know he's not done with music. The song is getting some love and fans are supporting it. However, a lot of music fans are being critical because of the production, which you'll see if you read the comments on any article online.
Let's support it and see what happens.
Will Smith - Freak Accident lyrics ( new single 2018)
in Will Smith Music
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When I heard this on his Instagram, I just listened to it looping.
It's lyrically sharp while being classic Fresh Prince. The beat is dope too. The vocals on the hook are the perfect touch. I feel that the St. Patrick's Day theme kind of distracts from from the song, but it hooked a lot of people who were trying to see what he was doing in the video. From the lyrics we've heard, it reminds me a lot of the songs on Lost + Found. Not a single lyric is wasted. Each one adds to the story.